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Gertrud Bodenweiser
Gertrud Bodenwieser (born 3 February 1890 in Vienna; †10 November 1959 in Sydney) was a dancer, choreographer, dance teacher and pioneer of expressive dance.
== Life ==
The daughter of Theodore and Maria Bondi, a wealthy Jewish couple, she turned to dance under the pseudonym Gertrud Bodenwieser of which she was celebrated in Vienna as a sensation. Bodenwieser's style was based on classical ballet, this was a new style of dance and was welcomed by the audience, critics and young students with much enthusiasm. One of her greatest successes was "Demon Machine", a dance performance, in which a group of dancers turned into machines.
Gertrud Bodenwieser was appointed professor of dance at the Academy of Music and performing Arts in Vienna. In the concert hall's basement she ran her own dance studio. Her pupils went out on tours throughout Europe as the "Bodenwieser dance group". Her dance "The Masks of Lucifer" showed intrigue, terror and hatred as personifications of political totalitarianism and became famous as the embodiment during an ominous time.
In the buildup to World War Two, Gertrud Bodenwieser fled with a handful of students to Colombia in 1938, where she gave a guest performance as part of the four hundred year celebration of Bogotá. She was even able to fill a bullfight arena with enthusiastic spectators. Emigration led Gertrud Bodenwieser to Australia. In Sydney, she taught dance. Her teaching has produced some of the most important choreographers and dancers of Australia, including Anita Ardell, Keith Bain and Margaret Chapple.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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